Lata Mangeshkar Name:- Lata Mangeshkar was globally considered the queen of melody as well as the Nightingale of India. Recording sogs in more than 40 languages, most of them super hit, she received several commendable awards in her lifetime. Mangeshkar sang songs in 36 Indian and foreign languages. Noted for singing at the age of 13, Lata Mangeshkar lent her voice to four generations of Bollywood actresses.
Lata Mangeshkar Family Legacy & How She Got Her Name?
Mangeshi is where the primary group of Hindi film music follows its underlying foundations – Lata Mangeshkar and her kin get their last name from Mangeshi, which is the place where their dad, Master Dinanath, was brought into the world in 1900.
Somewhere inside the core of Goa, the Mangeshi villa, spread across under 2 sq. km. with around 200 houses, is a piece of the Priyol town on the winding Panaji-Fonda street. The primary fascination is the little north of 450-year-old Mangesh sanctuary worked in the commonplace Goan style, complete with a profound ‘maal’, an upward brightening point of support with specialties to keep earthen oil lights, and a sanctuary tank.
The current sanctuary was implicit 1560 after the primary god was moved from its unique area at Kushasthali in the Salshet (Salcete) region, where the Portuguese had begun carrying out monstrosities for the sake of change.
The sanctuary’s current area was then a piece of the Antruj Mahal region, which was rarely under the Portuguese. In these numerous long stretches of presence, the totally private trust-run sanctuary complex went through significant redesigns threefold.
Lata Mangeshkar Surname: How Did She Get It?
Mangesh or Mangirish, a symbol of Lord Shiva, is the central divinity of the Goud Saraswat Brahmin (GSB) aficionados of the sanctuary. There are various fringe sanctuaries in the intricate that are very much kept up with and need a stroll of right around a kilometer from the primary street.
Despite the fact that Master Dinanath was born in Mangeshi, he moved right on time to Kolhapur to set up his own theatrics organization. Be that as it may, before he left Goa, he went through a name change.
“Master Dinanath’s mother was a devadasi at the temple. Dinanath himself was a Sevekari,” Bhushan Bhave, one of the priests at the Mangeshi temple, said.
Sevekari is a term used for those who carry out various activities related to the temple as a hereditary duty. They resided in the village; many of them still do. The devadasi system was a matrilineal tradition where women, also known as ‘Kalavantin’ because of their knowledge of the performing arts, dedicated their lives to the service of the principal deity.
The British had first sought to stop such practices in the 1930s, stating that they led to prostitution. Goa, however, was then under Portuguese rule.
“Some say his surname was Hardikar, but he came to be known as Abhisheki because he would carry out the ‘Abhishek’ at the temple,” Bhave told IANS over the phone from Mangeshi. “When Dinanath migrated to Kolhapur, however, he chose a new identity, Mangeshkar, which meant someone hailing from Mangeshi,” Bhave added.